Playground Crossing Bridges Festival 2005
Thank
you very much for all your support! We had a very nice festival and a good exchange! Danke schön für alle die mitgeholfen und gefeiert haben. Toll, das wir so ein schönes Fest hatten... |
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Take a look at the pictures! (Guck dir mal die Fotos an!)
-Party,Dekoration ,Performances DOKU1
-Discussions, Playgrounds Cinema DOKU2
-More you get @ Stani Pani Kolektiv under Fotke /Fotos
-Documentation about the Playground Kosov@ Tour Tour Doku
-Reclaim the church!
You have more pictures? Please send to contact@theplayground.de
Ende September bis Mitte Oktober ist es wieder einmal
soweit: eine Gruppe Kulturschaffender aus der Frankfurter Undergroundszenerie
wird die Brücken in den Kosov@ überqueren, um zusammen mit AktivistInnen
vor Ort Musik, Parties und Jonglierworkshops
für sozial benachteiligte Kinder ( z.B von Minderheiten wie Romas)
zu machen. |
englisch |
Am 5.11 werden unsere langjährigen Freunde und Kooperationspartner von Stani Pani Collective (PGA, Queer Beograd) und Radio Urban Fm (Road of Peace) endlich mal zu einer Veranstaltung nach Frankfurt kommen. Dabei werden die eingeladenen DJs, Aktivisten und FilmemacherInnen aus ihrem Leben in Belgrad und Prishtina berichten, ihre Party-Musik spielen und Filme und Ausstellungen zeigen. Mehr Infos und links unter www.acidrocknroll.org/roadofpeace.htm
Eingeladen sind auch zahlreiche Gäste aus dem Rhein Maingebiet, Berlin, Hamburg und London, die bei den Crossing Bridges Festivals, der Holidays in Kosovo CD und den Playground Touren beteiligt waren. Dazu kommen zahlreiche Gruppen aus Frankfurt und Umgebung, die das Festival organisatorisch und künstlerisch supporten.
Das Line Up:
Preacher Toton |
Angel Milan |
Brother Tishma |
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Klosterfrau Suse |
Vorstand Stefan |
Volunteer Yan |
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Mafiosi Guca (Digital Tuki) |
Mamabitch Conni |
Queer Moon |
Ladyboy Raviv |
Producers Steve and Nepo |
Sonic Frank |
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Projections,Films, Exhibition by Crossing Bridges Productions, Queer Beograd, Playground Tour Dokus, Hotel Dieux,Grenzcamp, Jan.... |
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Programm:
20.30 Uhr Eröffnung:
die Gäste aus Prishtina und Beograd stellen sich und ihre Projekte vor
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21.30 Uhr Filme zum Thema Ex-Jugoslawien.
Ab 23 Uhr Musik,Filme und Playground auf 5 Floors:
Live
DJs
(special guests) Raviv (TelAvivgoesBerlin)
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DJs
(local heroes and more) Stefan Ludley
( Psylofant) Club Kiew (Elektro/Drum
n Bass) Afterhour
in der Kantina
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Extras: Playground
und Lounge Live
Musik Playground
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Filme
und Ausstellungen Deko,Projections,Lights
VJ
Kunst und Doku |
Der Eintritt ist 6 Euro vor 23 Uhr
Danach 8-10 Euro..
Ausserdem gibt es die Möglichkeit dem Verein für 20 Euros beizutreten für halben Eintritt und eine CD aus dem Mailorder, um zukünftige Projekte des Playgrounds zu supporten.
mehr Infos über den Playground www.theplayground.de
Für was?
Die Einnahmen sollen die Finanzierung/Kosten des Kulturaustauschs/Tour2005 und
des Festivals decken.
Eventuelle finanzielle Überschüsse sind für die Remix Compilation
des Lava303 Tracks Tiffany gedacht,an dem sich zahlreiche namhafte Produzenten
beteiligen. Das Ganze ist eine Soliaktion für Alshaiddas Trust einer Organisation
in Indien/Goa, die sich Strassenkindern ein Zuhause gibt. www.acidrocknroll.org/thetiffanyproject.de
Wer macht mit?
Dieses Festival ist eine Kooperation zwischen Playground
e.V., Radio Urban FM Prishtina;
Crossing Bridges Productions, Stani
Pani Kollektiv, Queer-Beograd,
Elektro Lohmühle Berlin, Psylofant Rec,
Alice Drug&Culture Project
und KomistA.
in den Räumen von TanzhausWest,
Kantina und Landungsbrücken.
supported von Firedancers, Club
Kiew, Shisha Café, Space Frogz, , Volkstanzkomitee,
Mana Traya, den linken Schwestern des
Hedonismus (LSDh), Töchter aus gutem
Hause, Ladyfest Frankfurt,
Projekt Zwo&Prowokulta, Mushroom
Magazin, und vielen anderen...
Film Premiere:
Outside the Framework
UNDER CONSTRUCTION SERIES
In 2003 and 2004, a Kosova based documentary team traveled throughout the countries of ex-Yugoslavia and Albania, filming and interviewing their neighbors about the issues that have been present and relevant to everyone of the region since the fall of communism and recent Balkan wars. The Outside the Framework Documentary Series shows this region undergo its extreme changes through the voices of ex-fighters, local journalists, musicians, activists, Romas, and other interesting and un-common characters. Each episode of this six part series focuses on one special theme, weaving together the perspectives of people from each country.
PRODUCED BY
· Crossing Bridges
· i’s continuum
· Radio Television Kosova
EXPECTED RELEASE Fall 2005
SERIES LENGTH 6 x 26 minute episodes
FINANCED and SUPPORTED BY
· Press Now, Amsterdam
· German Foreign Office through the Stability Pact for South Eastern
Europe with support of IFA/Media-Im-Pakt
· United States Office, Pristina
· Kosovo Ministry of Culture, Youth and Sports
COMMITTED BROADCASTERS
· Radio Television Kosova
· Public Broadcasting Service, Sarajevo
· Radio Television B92, Belgrade
CONTACT
Casey Cooper Johnson, Producer
Crossing Bridges
Prishtina, Kosova
+377 44 220 627
crossingbridges@gmail.com
cooperjohnson@yahoo.com
www.crossingbridges.org
EPISODE THEMES
1. Collective Memory: Despite the many differences that people of the Balkans have between each other, they all carry the same memories and the same problems. The post-war hardships and ‘new’ rules of living have made many people look back into the past with nostalgia for the communist times. For some others, the hardships of today are the proofs of the mistakes made in the past. This episode will focus on the ordinary people, their lives, their memories of yesterday and their hopes for tomorrow.
2. Disposable Heroes: The ones who fought in the recent Balkan wars were, in the beginning, adored heroes for the masses. As time progressed, they were pushed back to the margins, treated as a nuisance by their governments. Though the reasons they went to war may differ, the general outcome was the same for all of them. Usually unemployed, struggling with the insufficient help from their governments, most of them feel abandoned by the societies they have fought for. This episode gives a picture of the Balkans through the eyes of those who were executioners and victims of their creation.
3. News Goes Out: Free media is a term, which is still relatively new in the Balkans. Very few of them now functioning have more than 10 years of experience, a big part of which was oriented towards fighting or trying to evade the regimes of the 90’s. At the same time those regimes who inherited parts of old Yugoslav Television network kept up the tradition of centralized government media, aware of the power propaganda may have in troubled times. After the fall of war time regimes, the newly elected governments have tried to find new ways of influencing the media. This episode shows the slow development of Balkan media from the times of one party - one truth for all, to today’s spread of more confusion than truth.
4. Unsatisfied: Social activism in the Balkans started in the early 90’s, mainly as response to growing tensions and wars. For a considerable time, they were the only voices saying “something is wrong”. As the wars came to an end, so did the social activism also change direction. By the end of 90’s, social activists ranged from anti-militant, to pro-reconciliation work, or to anarchism. This episode looks at the development of social activism in the Balkans, from the time when saying “NO” was the only form of progressive thinking, up to today’s crucial role of these movements to educate citizens of their power to choose in post-communist systems.
5. Of Mice and Men: The people of the Balkans have always been connected to music. For a long time music has followed the development of the societies, reflecting the changes of the past 15 years. During the 90’s, musicians portrayed the feelings of generations caught up in wars they did not fully understand. More often than not, musicians were on the forefront of anti-war movements, hence speaking the minds of thousands of young people. Today’s musical scene still portrays a picture of the musician’s surroundings - places caught between tradition and globalization. This episode reveals the power of music as an instrument for social influence and a reflection of the times.
6. A Roma Story: It is believed that the Roma are the largest ethnic group in the world with no territory to call “their country”. Widely uneducated and living underneath poverty line, for most Europeans they are what is usually called “second class citizens”. The Balkans are no exemption to the rule. Birth of ultra nationalism has often made them the scapegoats. So, while other nations of the Balkans were waging wars for their re-found nations, Roma’s began to struggle for their status inside the frameworks of the newly created countries. This episode looks at the living conditions and the status of the Romas throughout the Balkans, with special emphasis on their new institutional struggle to secure better living.